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Intolerance
(Intolerance)
USA
1916
Drama

INTOLERANCE (1916) is considered as Griffith’s finest and most influential film.

Since critics claimed his epic THE BIRTH OF A NATION (1915) for being racist because of its racial bias and glorification of the Ku Klux Klan, Griffith reacted with a likewise massive epic against hatred and bigotry.

Especially with INTOLERANCE Griffith invented much of modern cinematographic technique. He forged a revolutionary new narrative structure that broke with leading conventions while further perfecting the use of camera movement, parallel editing and dramatic close-ups. Certainly, the film is the most ambitious film produced in the 1910s and demanded a scope of vision and a production never approached before.

The movie, an epic, features four separate stories told in parallel, linked by the central theme of evil intolerance and a transitional shot of a mother rocking a cradle that symbolizes our common humanity.

INTOLERANCE sought to demonstrate the persistence of racial and social prejudices through the ages. Therefore, the stories play in separate historical eras. They picture the fall of Babylon, the life and crucifixion of Jesus, the St. Bartholomew’s Day Massacre in 16th-Century of the Huguenots in France as modern-day story of how social reformers and social workers destroy the lives of a young couple. As the film goes on, the intercutting becomes faster and more intense until it reaches the climatic height at the end - the triumph of the Good over the Evil.

Compositions:

Carl Davis

1986
  large orchestra    
 
stafflist
3(I+II/picc+recorder,III/pic+afl).3(II/bob;III/ca).3(II/Ebcl,III/bcl).2+cbsn – 4.3(III/flhn)3.1 – 3perc.timp.harp.banjo/gtr.pno/cel.organ(pno+cel) – strings (min. 8.8.6.5.3)
     
 
Duration
167
sync fps
16-18
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